It’s a new year, which means it’s time for some resolutions. Whatever you’ve dedicated yourself to—maybe reading more, or spending less time on social media—any self-improvement regimen is ultimately an attempt to forge an even better version of your (already wonderful) self. Most of the time, being your best self means getting in touch with what makes you unique, celebrating it, and doing what you can to accentuate it. In AdHoc Issue 24, we’ve highlighted some artists who’ve spent their careers marching to the beat of their own drum. Adult Mom’s Steph Knipe heads up this issue’s advice column, dishing on how to maintain your agency amid a sea of obligations both real and perceived. Meanwhile, Jennifer Herrema and Kasra Kurt, members of Royal Trux and Palm respectively, drive home how following your instincts can yield wholly unique art. And what better example of tapping into your hidden creative potential than the portrait of Anaïs Nin that appears on our cover, created by Wax Idols' Hether Fortune? Though she’s only been painting for a few months, the poet and musician has quickly honed in on a style of her own and is stretching what it means to call her an artist. That kind of daring is something to aspire to as we go into 2018.
AdHoc Issue 24's contributors:
Hether Fortune is a multidisciplinary artist and writer best known for her work in the band Wax Idols. She made the painting of Anaïs Nin that appears on the cover of this zine.
Steph Knipe is the songwriter and frontperson of Adult Mom; they are 23 and obsessed with the television series Grey's Anatomy. They penned this issue’s advice column.
Aubrey Nolan is a Queens-based illustrator, cartoonist, and host of the monthly reading series for cartoonists, Panels to the People. She made the illustrations for this zine.